Batman Essay

Task – A textual analysis essay.

Essay title

Complete a textual analysis of the denouement of The Dark Knight and answer the following question.

‘Analyse and evaluate the representation of Batman in the final scene of the The Dark Knight (2008) Nolan.’ You should use specific examples of mise-en-scene and cinematography to discuss how Nolan highlights and underlines the messages and values of the film.

Advice and Guidance
  • The essay will be assessed in how it shows your ability to demonstrate…
    1. …an understanding of the cultural context.
    2. … an understanding of how the extract makes use of film elements to create meaning.
    3. …an understanding of the ways in which the cultural context of the film and the identified film elements relate to each other, as well as to the chosen film text as a whole
  • The essay should be 1,000 words long (+/- 10%). 
  • You should use screen shots of key moments from the sequence that are the subject of your close textual analysis.
  • You should refer explicitly to the Crash Course YouTube video on, ‘The War on Terror’.
  • Quote from the article we discussed in class, Dark Knight, Dark Ideas by Chris Turner. 
    • This article and the Crash Course YouTube Video should be credited and referenced at the end of the essay.

Composition in Film

The Rules of Composition in Cinematography are described and exemplified in this video:

Task

Create a class slideshow which defines, explains and exemplifies the following rules of composition:

  • Symmetry
  • Contrast
  • Depth of field
  • The rules of thirds
  • Leading lines
  • Balance
  • Lead space
  • Frames within the frame

Please edit one slide on this slideshow:

Reflective journal

Embed this document in your reflective journal in the Cinematography page.

Great Cinematographers

Textual Analysis of The Dark Knight

Textual Analysis Task:

In small groups or pairs analyse Christopher Nolan’s use of cinematography & mise-en-scene in one of the six sequences below.

Embed the sequence and your typed up notes into your reflective journal.

Write 200-250 words on your findings with regard to how the Joker is represented using camera and mise-en-scene as a ‘new’ kind of villain for uncertain and unpredictable times.

Help
Scene 1

Scene 2

Scene 3

Scene 4

Scene 5

Scene 6

Lighting and Colour

Lighting is an element of Cinematography.

If a shot is not well lit it’s almost useless.

The lighting department work closely with the cinematographer to create the right look for each shot.

  • The chief lighting designer and on set engineer is called The Gaffer
  • The assistant to the Gaffer is called The Best Boy

This week we are going to explore the fundamentals of film lighting.

Analysing Lighting

Using Three Point Lighting in a Studio.

Colour in Storytelling

Task

Creative Intention:

‘To explore a range of lighting set ups in a studio setting.’

In Adobe Premiere create a playlist of 8 different lighting states that we shot in class.

Before each on a black slate (title card) identify the lighting setup and the impact that you feels it communicates.

Reflect on the impact different lighting states can have on the meaning communicated.

The Foley Artist

What is Foley?

A Foley Explained and Illustrated

Watch for independent study

TASK

Creative Intention: To record Foley sound for a short sequence in order to create a soundscape that adds a ‘…insert own adjective(s) here’ atmosphere.

  1. Create a new Premiere Pro Project in the D Drive of your computer in a project folder called ‘Your Name – Foley Sound’
  2. Download this clip of film into the Project Folder.
  3. Complete a ‘Spotting Session’, where you identify the sounds that should be in the clip, list at least 5 sounds which you will record in the next session.
    • This should also include ambient sound, which will act as the base layer of sound throughout the clip.
  4. Create 5+ Foley sound using various objects that you bring in from home to create an atmosphere for the clip.
  5. In Audition import the sounds and sync them to the sequence.
  6. Create a title slate for the exercise, which includes:
  7. Export your Foley sound sequence, upload to your G Drive & YouTube
  8. Create a sub-page in the Sound section reflective journal called ‘My Foley Sound’
    • Explain the role of the Foley sound artist
    • The process you used to create the sound
    • Reflect on how Foley sound can be used to add meaning to film.

HELP WITH AUDITION!!!

CHEAT!!!

Here is some extra sound effects and loops

Your First Two Sequences

Creative Intentions:
  1. To explore how editing can be used to select and structure footage.
  2. To create a continuity editing which makes sense of time, space and actions / reactions.

Some thoughts about editing:

Sequence 1 – Basic Shots Types (Intention 1)

Create a compilation video of the shots you took for framing and movement

Each clip should include a title, which describes the framing and/or movement using the the correct terminology. Remember here are the lists of shots you were supposed to take:

You may not have shot all the footage according to these list. This is fine, you are just starting to explore cinematography after all. However you must try and accurately describe the shot type which you have filmed in the title.

Sequence 2 – The Exchange – A Continuity Edit (Intention 2)

Create a title slate called ‘The Exchange’.

  1. Can you edit the footage for the continuity edit, so that it makes sense?
  2. If you have finished, you should try and do some simple colour correction or add transitions
  3. You could add some music to the opening few seconds as the character walks down the corridor, whilst the other character waits.
Export and Reflect

Export both sequences for YouTube

Create two new topics for your work in your Reflective Journal:

  • Basic Cinematography (Sub-page in Cinematography)
  • Continuity Edit (Sub-page in Editing)

Embed the video into each page and reflect (150 words max) on each task and outcome.

  1. Reflect on the quality of your footage and the meaning(s) that are implied in four of your favourite shots.
  2. Reflection on filming to edit and editing tools, which can create basic narrative meaning.

Filming for Continuity Editing

Creative Intention for the week

‘To explore and understand how to shoot video for sense in the edit (a continuity edit)

The brief for this task is:

“Film a character walking down a corridor, opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue.

In the edit you must demonstrate understanding of

  • match on action
  • shot/reverse shot
  • the 180-degree rule.”

You should copy and paste the creative intention and brief into your reflective journal, under the cinematography page.

Hell’s Club

A great video that uses the rules of continuity editing to create a scene, made up from clips from lots of different films.

Look at how the editor uses editing to create actions and reactions which seem to make a plausible (continuous):

  • Sense of space (the club)
  • Sense of action and reaction
  • Sense of time (meanwhile..)
  • Sense of rhythm (cutting speed)

Examples

Here are two example preliminary tasks made by the media teachers, spot the mistakes:

Here is the script which we would like you to use.

You will be working in groups of three for this task and must each shoot the sequence, which you will be editing together once we get back after the 1/2 term break.

Reflecting on your Cinematography

Reflective Journal Post
  1. Go back to our creative intention which was:
    • ‘To discover how you, as a novice cinematographer, can use framing and movement to communicate meaning.’
  2. Review your footage, with this in mind
  3. Create a slideshow which includes two examples of framing and a short commentary on…
    • One clip (or photo), which you are pleased with and think that the framing communicates meaning.
    • One which you are unhappy with and feel doesn’t really work, why not?
  4. Then two more examples, with commentary on…
    • One for camera movement which you are happy with and what message does it communicate.
    • One which you are less pleased with, why doesn’t it work?

Place this in your reflective journal, under the cinematography page under the sub page heading ‘Exploring Basic Cinematography’

Still got time? Then watch this video on…

Telling stories through images (a masterclass)

Remember the reflective journal is yours – not just a dictate from your teacher. If you have found these (or other videos) on cinematography inspiring then embed them into your journal and reflect on what they have taught you, and how you want to explore cinematography later in the course!

Moving the Camera

Lesson 3

So in this lesson you are going to need to move the camera, whilst filming.

So, smoothly does it…here is your list of shots for today…

Shot No Shot Size Camera Movement Descriptions
1 MLS Pan Character walks into frame and pan to follow through a door, keep lead space.
2 MCU (High Angle) Tilt Character sits down (slow and nervous) camera tilt follows
3 MS Crab Character leans against wall looking bored. Start and end with character out of frame.
4 MCU to LS Dolly / Track Out Character sits on wall, looking anxious
5 LS to MCU Dolly / Track In Character sits on wall, looking anxious
6 LS to MCU Zoom In Character sits on wall, looking anxious
7 MCU Ped Down Car / Truck
8 LS Roll Person staggers from one side of corridor to another, along with camera roll.
9 CU (low angle) – ELS (high angle) Crane Character sitting in corner, looks off frame and then down at the ground, when head down start crane.

As in yesterday’s lesson, you must return in time, to move the footage from your camera to the teachers’ computer in 73 (The D Drive):

Some examples of amazing cinematography for you to enjoy during independent study

Basic Composition

Lesson 2

Framing (distance)

Your mission for today’s lesson is to direct and shoot the following images. For this you will have to alternate taking the images and being the subject for your partner. You will have to take on the role of director and of cinematographer to ensure you get the shots you need.

Once you have completed your mission you should return to the classroom where you will upload your treasure to your masters computer (teachers’ machine D Drive). You then need to collate the data.

This message will self destruct in…

Shot No Shot Size Camera Movement Descriptions
1 MS Static Back to camera, character bored
2 Wide angle Static The front of the SFC or Main School Entrance
3 MCU (Low Angle) Static Traffic sign or door
4 ELS Static Character sits on a step (relaxed)
5 LS (Canted Angle) to MCU Static Character walks towards camera (confident)
6 ECU Static Eyes look nervously off to one side
7 CU Static In profile character looks thoughtful
8 MLS (High Angle) Static Character stand waits outside door (nervous)
9 Over the shoulder to LS Static See the shoulder and head – object in background
Independent Study

Here is a follow up video for you to watch on another 5 best shots of all time: