Pan’s Labyrinth Context Research.

Pan’s Labyrinth Context Research.

As a class we put together a slideshow of  different types of context seen in Pan’s Labyrinth, this included, historical, artistic and cultural, as well as critical reception. All of these are important in understanding films because it helps to convey hidden messages as well as themes. Pan’s Labyrinth uses many different types of context from around the world (Spanish history, Japanese myths and legends, Renaissance art, with Tim Burton styled scenery and props). When looking deeply into films it is important to look at context because the information that is embedded, that is not fully told to the audience by the film, can help to convey messages and ideas. Context that links films from the directors together is also important because audience members can follow the pattern that previous films followed.

Narrative Analysis of Pan’s Labyrinth

Narrative Analysis of Pan’s Labyrinth

In pairs, we created a slide-show that analysed the narrative of Pan’s Layrinth. This included the character functions, conflicts in the narrative, themes and structure. These points create the narrative and understanding them shows the non-linear structure of the film.

understanding this film helps to convey the ideas and messages in the film, examples of this are:

-Understanding that the structure of Pan’s Labyrinth is non-linear, allows the viewer to let the story line flow as wanted by directer Guillermo Del torro. The film begins in the future and then starts from the beginning of Ofelia’s story. The structure of the narrative is split int two. one being the fairytale story line, where Ofelia is mainly seen. The other being the historical fascist spain, where the main characters are Mercedes, Carmen and Vidal. These story lines come together with Ofelia.

Character functions, understanding that the characters have a set formula and function in the film, alows us to make links with other films. For example we can tell that our main character, the protagonist, Ofelia is destined to complete the challenges set by the Faun but it intrigues us becasue we want to know how she does in the chllenges and what challenges she faces during the process.

-Understanding the conflicts of Pan’s Labyrinth allows the viewer to see that the main villain is Vidal, the tyrannical fascist captain. All of the conflicts within the film are provoked by Vidal. These includea mixture of physical and inner conflicts these include: power, naivety, wisdom and power. These are all conflists that Vidal provokes within the narrative.

-The themes of Pan’s Labyrinth are very similar to its conflicts, these being good VS bad Vs the innocent. The big message in the film is that due to the war and conflicts there is no place for a girl who has imagination and innocence to grow up or live. in the film Ofelia is shown to be torn between the two, being good or being bad.

-There are many smaller themes inbedded in the narrative such as disobedience. This is found throughout the film with Ofelia, it is seen when she goes against the fairies judgement of the Pale Man scene as well as when the Faun asks her to do the final challenge, to kill her younger brother. The underlying themes thicken the narrative. This defiance that Ofelia shows shows charecter development, the defiance symbolises that she no longer is the scared child and that she now feels confident  about her place.

 

Narrative Analysis of a Pixar Movie

Narrative Analysis of a Pixar Movie

In class we looked at the conventional narratve arc, in which we discussed each stage of the narrative. There are 5 key stages to a conventional narative:

  • The film normally starts with an ordinary word.
  • The world is disrupted.
  • The journey/quest is presented to the protagonist.
  • The struggle or epiphany.
  • The restoration/return.

This is the linear narrative arc my classmates and I made for “The Lion King”  (1994) . In the film we see the coronation of Simba and Mufasa becoming a father, this is the beginning equilibrium. We then see the disruption, the death of Mufasa and Simba running away. We get the revelation of Simba challenging Scar to reclaim the throne and to save Pride Rock, which leeds to the new equilibrium. We then determined the internal journey for Simba, this was because we identified that it was a self-revelation and we as the audience got to see him grow up and have the epiphany.

We then discussed the conventional characters of the film and the roles they play to support the narrative and the conflicts within the narrative. There were many conflicts within the narrative of The Lion King, these included:

  • Protagonist VS antagonist
  • Future VS past
  • Equality VS injustice
  • Searching VS finding
  • Loss VS discovery
  • Love VS appearences
  • Responsibility VS rebellion

 

Mise-en-scene in The Captain’s Feast

Mise-en-scene in The Captain’s Feast

The Captain’s Feast scene establishes the nature of the communist party in rural spain during the spanish civil war, in particular the attitude and values of Captain Vidal, the antagonist in the film. The feast symbolises permissiveness of the ruling class, and at the head of the table the embodiment of a fascist brute, Vidal. He has a reputation that he is proud of, and dominates the scene. This is shown with the mise-en-scene. He sits at the head of the table as he holds the highest rank, shown by his pristine uniform and medals which stands out on the table because he is backlit by the fire, but is lit with dark lighting. This lighting gives him an omniscient, sinister aura. The red from the flames, connotes his anger, this relates to his short fuse and raging temper. 

The guests at the feast are “high class” or at least seem to be until the scene progresses. It is shown that the guests are arrogant, patronising and aloof. This is shown to us by the way their mise-en-scene portrays them, for example the way they are dressed; they are all wearing bland, dark, catholic clothing that shows their lack of personality and that they are formal. We can also tell this by the way they use cutlery, and help themselves to the plentiful amounts of food. With that being said there are some members on the table that use their hands to eat which shows how they are hypocrites and aren’t all posh.

Carmen doesn’t seem to fit in on the dinner table, she is wheeled in by one of the maids which shows her as fragile and in need of help. She is seen wearing light blue which stands out to all the dull coloured uniforms and brown suits the women are wearing, this symbolises her elegance and purity in the scene, this also symbolises how she has gained class, and can keep clean, the vibrant colour is a sign of wealth. Vidal is shown to not care for her, they are sat close together to show that they are in relation but many shots show that there is some emotional distance between them. She seems cut off from the others because she doesn’t feel like she fits in with them, she is not use to having class and she seems quite awkward in the scene.

(As a class we created a slideshow that presnts the Mise-en-scene in each individual category and character.)

Genre Analysis of Pan’s labyrinth

Genre Analysis of Pan’s Labyrinth

In our class we produced a comparative slideshow for Pan’s Labyrinth and the fairytale genre. Pan’s Labyrinth is a dark-fairytale film, it twist the conventions of fairytales and seems to make fun of the conventions of the genre. We compared Pan’s Labyrinth with other films of the Fairytale genre such as, Harry Potter, Shrek and Lord of the Rings. (These examples being our corpus.)

Examples of when Pan’s Labyrinth confined with the genre:

  • When showing locations they use wide angle shots. In the beginning of the film the camera pans around showing the setting.
  • Showing dense-forests/woodlands as dark and gloomy landscapes.
  • Using lighting/special FX to make props look magical by giving them an aura. There is a strong blue hueto symbolise its mystical properties.
  • Having a quest where there is a moral dilemma which challenges the protagonist. Ofelia has to chose wether or not to kill her brother.
  • Folklaw/sub-human characters. E.g: Faun, Pixies, the Pale Man

Examples of when Pan’s Labyrinth defied the genre:

  • Having a strong female protagonist who isn’t aided/helped by a male character.
  • Not having a “Happily Ever After”. Ofelia dies and the ending is unclear.
  • Not having a “final boss” or clear main enemy. Vidal, her step-dad could be considered the antagonist but so could the Pale Man.
  • Use of human torture methods and weapons compared to wands. Seen in scenes where Vidal is punishing people who disobey orders.
  • Darker imagery. E.g: creepier and more upsetting scenes, Ofelias death, depictions of the Pale Man eating children, beatings and murders.

In conclusion Pan’s Labyrinth uses the repertoire of elements of fairytale films and twists them to make it feel like we’re watching a different genre of film, this makes the film feel far more interesting and keeps the audience engaged even though it follows the conventions of a normal fairytale film.

 

 

My Favorite Film

When being asked what my favourite film is, this Sci/Fi classic came to mind.

With controversial reviews, this film does not seem worth watching. However, The Fifth Elemet engages the viewer with its cinematography and action packed plot. For the late 90’s this film has stunning edits and scenery. The auteur, Luc Besson, who is known for creating films such as Lucy (2014- Action/Thriller) and Anna (2019-Action/Thriller) attempted to create a film with every aspect of genre in it.

One of the main reasons why I love this film is because of its narrative and structure, macro features that make the film so attractive to me.

 

Genre Poster

Genre Poster – Sci/Fi

In my poster there are some repertoire of elements that include:

  • Aliens
  • Science
  • Key features of films (  The Spok hand )
  • Futuristic settings
  • Lightsaber

The Sci/Fi genre can be about space, time travel, aliens or a mixture of all three. Sci/Fi films are complex and normally have similar details that vairy etween the films, they normally explore larger themes or making subliminal comments on society.

Trailer for the 1979 Sci/Fi film, Alien. Directed by Ridley Scott :

 

Genre is easy to identify because of its repertoire of elements and my class mates were quick to identify our poster. I, in turn, was able to recognise their posters because of the symbolism they used.

Genre– category based on similarities in narrative elements or emotional responses to a film, in association with “conventions”, iconography or narratives.