Category Archives: The Music Industry

Folder Management – for revision

Make sure you create the following folders and spend some time moving your previous tasks, resources, worksheets, slideshares essays from classroom and from the blog and from your drive to these folders.

The time spent doing this in advance will make your revision so much easier.

Here is a revision document for Component 1 and another one for Component 4, that you should print out and start to use. It breaks everything up into bitesize chunks of 1/2 hr to 1 hr.

Exam Paper 1 (Component 2)

  • TV DRAMA– Glossary of terms, TV drama slideshare, Essays, exemplars
  • MUSIC INDUSTRY – Case Study slideshares, Music Industry slideshare, Essays, Glossary of Terms, exemplars

Exam Paper 2 (Component 4)

  • SKILLS – Essays, RP, DT, Conventions templates, exemplars, Skills slideshare
  • CONCEPTS – Essays, Theory booklet, essays, exemplars, Concepts slideshare
  • POSTMODERN MEDIA – Slideshare, essays, exemplars, theory booklets, case study templates

Mock feedback – TV Drama, Marketing, Digital Technologies

Class notes for:

TV Drama

  • Terms – use them wherever you can.
  • Try and keep to 4 x sections with a line in between so that the examiner can see you have moved on.
  • Don’t overload the opening paragraph with themes and issues – keep it general and add the caveat – some of the themes and issues represented are XXX.Don’t explain how the feature works  in general – the examiner will know you know this – focus on how it works in this clip.
  • Don’t make over tenuous links – the grey tracksuit bottoms represent his mood – perhaps the slouchy style does but I think the colour is too tenuous – most mens’ joggers are grey.
  • Add in as many synonyms as you can and vary the adjectives – it can be repetitive to keep saying, this represents his helplessness etc
  • No need to waste time on over arching intros. Just get stuck in.

Music Industry

  • Fab case studies
  • Most lacking the over arching arguments, debates about the importance of marketing and how the case study evidences an issue about it – busy marketplace, noisy, crowded market place – you have to be loud, different to stand out.
  • Allows even less well funded indie labels and DIY artists the ability to make their claim as DT is relatively cheap (democratisation) therefore if they have an idea = success.
  • Try and mention labels as there is a difference in terms of funding for marketing campaigns and even well known artists need to market themselves.
  • More terms – synergy, CMC, digitalisation, democratisation, viral marketing, guerilla marketing, word of mouth, Web 2.0, public relations, profile, reputation.
  • Digital technologies – only focused on streaming – but so much to do with marketing, distribution, exchange, production and needed broadening out.

 

 

MEDIA MOCK ADVICE – FEBRUARY 2020

There are two paper in the Media mock exam next week:

Paper 1 – Key Media Concepts (2 hours)  – TV DRAMA AND MUSIC INDUSTRY

  • 30 min screening sequence from TV Drama. Then…
  • 45 mins essay, which analyses how meaning is constructed through:
    • camera
    • editing
    • sound
    • mise-en-scene.
  • 45 min essay on Audiences and Institutions (The Music Industry)

The question will be on either one of these or perhaps there will be a choice?

Marketing in the Music Industry and/or Digital Technologies in the Music Industry.

TV Drama:

  • Revise key terms for Sound, Editing, Camera and MES.
  • Revise structure.
  • Revise note taking template.

Music Industry:

  • Revise Terms
  • Revise essay structure
  • Complete the Case Study index
  • Choose @ 12 case studies that could ‘shoe horn’/evidence/illustrate into marketing and digital technologies so that you can use @ 6 in the essay.

 

Plus your own Class case studies for Music Industry.

 

 

Radiohead – Anima – a music industry case study

You may remember how Radiohead were responsible for forcing a change to how music is passed on to the audience when they uploaded their music in 2007 free and asked for donations. This negated any need for piracy and really showed the record labels who exactly was in charge, in terms of ownership.

They have once again been making headlines with a marketing campaign this year.

This was a trailer played in IMax cinemas. Weird? Thought provoking? Guerilla marketing?

If you are interested in music, this is a fascinating head to head with the Radiohead frontman, Thom Yorke.

But this is ESSENTIAL READING.  Read the article in the latest Media Magazine. Page 48.

Watch the short film on Netflix. This will all make a fabulous case study for marketing, distribution, audience consumption, cross media convergence, viral marketing, guerilla marketing and ownership.

 

Case Studies/Terms – do them as you go

You must use the key terms in your essays and always use case studies to illustrate, evidence, support your ideas.

CASE STUDIES -OWNERSHIP/PRODUCTION

From the 2 videos and one slideshare we have done, you should make notes and will already have various examples you can use for case studies. For example:

  • Capitol Record,
  • Universal
  • Funnel Music – Track Not Found
  • Beggars Banquet
  • DIY – IAMDBB or Chance the Rapper
  • Kobalt
  • Snow Patrol
  • Radiohead
  • Jacob Whiteside
  • + multiple IDEAS ON THE SHARED CLASSROOM SLIDESHARES

KEY TERMS/BUZZ PHRASES – OWNERSHIP/PRODUCTION

micropayments, creative control, platforms, music establishment, back catalogue, rights/royalties, contracts, business model, digital revolution, democratisation, digitalisation, globalisation, The Big 3, global institutions, institutions, audiences, investment, antiquated, out of date, investment, music ownership, innovation, adapt or die, pioneering moves, adaptability, indies, niche, promotion, transparency, streaming, downloads, labels, conglomerates.

RESOURCES

Create a Music Industry folder and start saving the resources, worksheets, slideshares, videos in one place for revision. Do it now as you go.

The Music Industry Part 2 – Ownership – Production

The Big Three – AKA The Major Labels

The Big 3 labels are dominant players in the music industry.

They are in turn owned by massive media conglomerates.

But, what is a conglomerate?

Slide show on conglomerate in classroom.

So, what does a record label actually do?

And who are the Indies?

This article outlines some of the best indie record labels on the scene.  Click on the arrow on the right of the photo to see who the label is.

Task 1

In groups complete the allocated slide for one of the record labels you have been allocated. The Slideshare is in classroom.

NOTES

Remember when you see a term like ‘institutions’ in a question, then you are being asked to consider those who are responsible to making the media (labels, producers, performers etc).

When you see the term ‘ global institution’ you are specifically looking at the ‘Conglomerates, The Big 3.’

When you see the term ‘audiences’ you are looking at those who consume the music – you.

KEY TERMS/BUZZ PHRASES – OWNERSHIP/PRODUCTION

micropayments, creative control, platforms, music establishment, back catalogue, rights/royalties, contracts, business model, digital revolution, democratisation, digitalisation, globalisation, The Big 3, global institutions, institutions, audiences, investment, antiquated, out of date, investment, music ownership, innovation, adapt or die, pioneering moves, adaptability, indies, niche, promotion, transparency, streaming, downloads, labels, conglomerates.

The Music Industry – Part 1

Introduction to Audience and Institutions, The Music Industry.

Task 1

What can you remember so far?

Match the key terms against the various stages of the Music Industry organisational timeline.

Task 2

Music Ownership & Production – A changing model

Watch the video and answer these questions.  

 

This video alone, could give you @ 8 different case studies to use as evidence in an essay about the issues around ‘ownership’, ‘institutions’ or ‘production’ – Kobalt, Universal, Jacob Whiteside, Radiohead, Capitol, Sony, Spotify.

CCR3 – How do your products engage with the audience and how would they be distributed as real media products? – Group Vlog

How do your products engage with the audience and how would they be distributed as real media products?

After you have completed your reading and research and compiled some good ideas about audience engagement and distribution, respond directly to the following questions in your vlog:

Part 1 – Target Audience

    • Who are your target audience?
      • What are their ideologies? (demographics, psychographics, audience segmentation eg tribe wired etc)
    • What is your brand identity / missions statement? (genre, star image)
    • How does the design / content of your three products fulfil your audience’s uses and gratification (Blumler and Katz but you don’t need to reference them directly – just use the terms)?
    • How do the products speak to the audience and try to create a relationship with them? (AIDA, B + K, genre, star image, Hall)
    • What marketing techniques, tricks and campaigns will specifically help ENGAGE YOUR AUDIENCE AND WHY?

Theory / terminology: BUT DON’T DO VLOGS ON THE THEORISTS – USE THE TERMS

  • Hall (audience – encode, decode, ideology, demographics, psychographics, preferred reading, negotiated reading, oppositional reading)
  • Dyer (star image – metanarrative, ordinary, paradox of the star, extraordinary, present, absent)
  • Blumler + Katz (personal identity, social interaction, information, entertainment)
  • Lacey (predictable pleasure, repertoire of elements, contract, blueprint, label, conventions)

Part 2 – Distribution and Marketing

    • Which record label would suit your star / brand?
    • How would you distribute it – what structure and means?
    • What marketing strategies would you use to create buzz around your album launch?
    • How would you reach your target audience?
    • How are you likely to make your star / album profitable?

Theory / terminology: BUT DON’T DO VLOGS ON THE THEORISTS – USE THE TERMS

  • target audience, budget, distribution, marketing, social media, download, streaming, guerilla marketing, personal appearances, live performance, festivals, press releases, advertising, online, viral marketing, profile, independent, major record label. Read the blog posts to get some ideas.

USE THE FOLLOWING CLIPS TO INTRODUCE YOUR VLOG and edit the intro and outro around your submission.

Think about