Contact Sheets

Overall our shoot went very well and we found a number of shots that we are pleased with and will be able to use for the panes of our digipak.

Our images successfully capture our star’s image as moody, young and edgy. Our star’s brand image is also key and I feel ours is coherent across the digipak images we took, and the music video platform too.

Photoshoot Production Meeting

A production meeting agenda is very important to the smooth running of our upcoming photo shoot. We have outlined who is responsible for bringing equipment, costume and make up to the shoot and shared our model into the document so she can be prepared too. This planning is essential so that our star and brand image are as close to what we imagined it to be.,

Please click to view our full PMA.

Hand drawn mock up

In order to plan for our digipak, we constructed a hand drawn mock up.

We included conventional elements of the electropop genre such as the neon colours, close ups and minimalist clothing for our star. It is also important for our artists’ star image to be unique to other artists of the genre as to keep the audience interested and engaged.

We feel that our ideas that we plan to encode  will successfully be decoded by our audience. This is essential so they receive the preferred reading of our key messages and the star image.

Our hand drawn mock up.

Our colour palette that we aim to use.

 

Branding Moodboard

In order to prepare to plan and organise our own digipak we made a group Padlet that includes ideas and inspiration of ideas that we feel would successfully encode the genre and the star image. This repertoire of elements and the general conventions of an electropop digipak combined, will make up our brand image so the audience can decode it successfully.

 

Made with Padlet

Digipak Conventions Analysis

Above, are my annotations of an album, typical of the electropop genre.

The general conventions of an electropop digipak are as follows:

  • Colours – bright, neon
  • Imagery – the star is usually pictured on the front of the digipak, often in a powerful position with a facial expression that conveys them as edgy, moody and carefree.
  • Text – it is actually rather common for the front of a digipak belonging to the electropop genre  to not include any text.

Some of the technical conventions of any digipak, not specific to a genre,  include:

  • Imagery
  • Album title
  • Name of the star or band
  • Spine
  • Copyright information
  • Barcode
  • Track names

It is important to understand how the colours, imagery and text, conventional to the electropop genre, attract an audience. These conventions will be very helpful when we come to produce our own digipak as we can ensure that our audience will have the preferred reading that we intend to communicate. To guarantee a preferred reading we need to include many of the conventions listed above whilst also ensuring we make sure that we our digipak is still unique so that we can stand out within the music industry and ultimately generate a profit. .

Our Mission Statement – The Package Brand

We constructed a presentation that includes our mission statement and the branding of our digipak and artist. We revisited our audience, referring back to them often, and the importance that they will have on our digipak design. We also wrote a call to action, their USP and looked at our star’s competition within the electropop genre.

Our brand image is very important as it needs to be coherent across all aspects of the star’s image. This will help the audience to be integrated and immersed in the promotion of, and the lead up to, the album release.

Music Video Draft 4

Here is draft 4 of our music video:

In order to create some targets for our next draft we asked our peers to watch our video and we were then able to gather some feedback.

Summary of the feedback given:

  • They liked the lighting in the performance shots and thought this contrasted well with the darkness of the narrative.
  • They understood the narrative and took our preferred reading.
  • We should work to ensure that clips aren’t repeated and overused.

We also received some helpful feedback from our teacher:

Please click to enlarge.

Targets:

  • Fix the colour and brightness on some shots of Millie.
  • Slow the pace of the shots where Millie is shaking her head.
  • Experiments with slowing down the ending when the hand reaches out towards the camera or we could perhaps fade the clip to black.
  • Scale and frame the performance shots in the bunker differently so they are less repetitive and more interesting.

Music Video Draft 3

Since draft 2 of our music video, we have made numerous changes that we think add to the overall success of our video.

  • We applied a coherent filter throughout the video on the performance shots in the studio.
  • We have experimented with framing and scale on some of the bunker performance shots in order to enable the audience to engage with our star further.
  • Replacing the performance shots over the repeated lyrics “Welcome to the…” with narrative shots was also a part of the process for draft 3.
  • Flipping clips has also been experimented with as to make sure the video doesn’t seem repetitive.
  • We also added in a new jump cut scene, applying the same effect as earlier in the video, to add coherency and purpose.

We asked for some feedback from two of our peers and this is what we received:

  • “It has some great close up shots that are perfectly clear and in focus. Your lip syncing is also very well done as it looks like the artist is actually singing. I love your MES. The location you shot in fits in really well with your theme. The prop of the chain is also very intriguing and interesting. You could possibly play around with the filter effects used on your performance shoot to make her make up pop even more and could possibly add more contrast to your narrative shoots in areas to make the shadows even darker. Overall I really like your music video. It keeps me engaged and excited throughout.”
  • “The overlay edits are very engaging and the colour gradient used for the performance video stands out. I would probably look at adding more effects to the chain clips and some darker tones into the narrative. “

Our targets and improvements to be made for our final draft are as follows:

  • Add a blinking effect to the montage of scenery shots using the dip to black transition.
  • Experiment with filters on our bunker and underground hospital shots to reduce the grain and noise of our shots.
  • Make sure all of the filters are the same throughout, when they are meant to be.
  • Check the lighting using the whites and blacks scales and Lumetri scopes. This should make sure each clip has the correct amount of exposure and is the clearest it can be.
  • Add a title at the start of the song.
  • Fade the ending out to black.

Teacher Feedback

Above is a screen castify our teacher made, to provide us with feedback on draft 2 of our music video.

Here is a summary of the feedback she gave us:

  • Check the footage at the start of the video as it’s blurry and grainy.
  • Be consistent with the filters on the studio shots throughout the video.
  • Good jump cuts.
  • Zoom in on the shadows with the chain clip. Cut between the two angles.
  • Use scale and position to move the performance shots so our performer isn’t central all the time.
  • Only use narrative over the “Welcome to the, welcome to the” lyrics.
  • Don’t use thee same shot twice – edit it so it appears different – eg. flip it.
  • On the line “see them too” where Min is performing, perhaps try her looking at herself.
  • Remove the dark clip in the wall.
  • Add pace to the edit on the beats when she is banging on the wall.
  • Good editing to the beat.

Specsavers and Digital Greenhouse Feedback

Whilst editing our second draft of our music video, we were lucky enough to receive a visit from members of the creative team at Specsavers and the Digital Greenhouse later on in the week. They provided us with lots of tips and tricks for using Premiere Pro effectively and some great feedback on what we had already done.

One tool that they taught us how to use was the mask tool. This enabled us to make ‘clones’ of our performer and change the opacity of different layers. Our editing has also been made easier by the team teaching us how to use the adjustment layer. This enables us to add an effect to a number of different clips instead of having to apply each separately and trying to match the effect up.

The visit from the Digital Greenhouse was also extremely beneficial as they gave us feedback on our video. One thing in particular we took away from this is that the pace of edit should speed up when the music also increases pace. They also showed us how to correct the lighting in our clips and create an adjustment layer of this lighting so it is coherent throughout the entire video.