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Narrative

Narrative Analysis of Pan’s Labyrinth

       Narrative Analysis of Pan’s Labyrinth

 This narrative analysis of Pan’s Labyrinth explains the narrative structure, characters and overall themes that are present in Del Toro’s ‘Pan’s Labyrinth’.

 The most predominant theme throughout the film was disobedience. This is consistently explored through the character of Ofelia , as well as certain conflicts within the film such as the rebels who are fighting Captain Vidal.

How narrative study is useful in understanding this film

 – Disobedience is a predominant theme throughout Pan’s Labyrinth. This is shown through the protagonist Ofelia, who disobeys many of the instructions she is given throughout the film, including when she eats the grape in the pale man’s lair. However this rebelliousness was articulated from the start when she refused her mothers instructions to call captain Vidal her ‘father’.

– Pan’s Labyrinth has a split narrative between the real world and the fantasy world.

– The film is mostly set in a forest or ‘underworld’ communicates that this film is fantasy genre. Pan’s Labyrinth also has implications of actual fairy tales and in some cases biblical references.

– The mystical creatures that help Ofelia on her journey such as the faun are considered the donor in Vladimir Propp’s character theory. This is because he gives her the equipment and guidance that she needs in order to complete her quest.

– Captain Vidal is perceived  as the monster in the real world but it is suggested that he is represented as the Pale Man in the fantasy world. Without narrative study it would be near  impossible to find the link between them.

– Ofelias journey begins when the faun is introduced.This meeting is what starts the two major plots in the film.

 

 

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Narrative

Narrative Analysis

 

Structure of Acts

A large majority of films follow a chronological narrative. These films follow the five act structure which includes:

The Exposition – This is the information that is presented right away to the audience about the world and characters that they need to know in order to understand the plot and upcoming events.

The Disruption – This is an event that takes place that causes a problem that the protagonist must solve.

The Climax – This is where the protagonist will confront either the antagonist or the force that is obstructing them from achieving their ultimate goal.

The Resolution or epiphany – The protagonist reaches their ultimate goal and learns a significant truth about themselves or the world they live in.

The Denouement – The protagonist returns to their home, but with a new outlook and a new ‘norm’.

An example of this five act structure, included in the narrative mountain, is Harry Potter and the Philosopher’s Stone.

                       Non Linear Narrative

             Eternal sunshine of the spotless mind

A story should have a beginning, a middle and an end, but not necessarily in that order. – Jean Luc Godard

Eternal sunshine of the spotless mind is an example of non linear narrative. The film is structured as a memory narrative, which means a lot of the story is told through the use of flashbacks.  

Quentin Tarantino utilizes non-linear narrative in Pulp Fiction primarily as a tool to introduce the characters multiple times, through different character’s perspectives, in all three timelines.

 

In summary , there are various different reasons that using non linear narratives are effective. Some films use non linear narratives in order to tell a wider version of the story at hand. Some use it to withhold information from the audience.

 

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Contexts Genre Narrative

Genre Poster

 

According to Altman’s theory on genre; ‘Genre is similarity and difference’.

The repertoire of elements are key elements of a film that are consistently repeated throughout a genre. Each genre has its own repertoire of elements which communicates to an audience what genre of film they are watching.

These include:

 Iconography ( Masks, blood, silhouettes, shadows, ect)

Props ( Guns, daggers, blood, candles, cloaks, ect)

Style ( Dark, shadowy, low key lighting, eerie music, ect)

Narrative ( Being trapped, being chased, supernatural, ect)

Settings ( Haunted house, castle, forest, anywhere dark, ect)

Characters ( Killers, monsters, demons, devils, ect)

Themes ( Death, fear, gore, traps, isolation, ect)

Most of these features are present in my poster which communicates that my poster belongs to the horror genre.

 

 

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Director Genre Narrative

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