Below is our draft 3:

When creating and working on our draft 3, a group of designers who work in a professional media department from specsavers came in to help us. They were able to teach us new editing techniques and graphic effects to ensure our video seems more professional and angaging. They worked personally with us, meaning we could learn quickly and become well versed in the more technical, obscure editing features on Adobe Premier Pro.

Specsaver’s feedback:

• Pace of edit was really effective and works well to the beat of the song.
• Video transitions are done seamlessly and effectively.
• The narrative is clear and links well to our performance shoots.
• The opacity and overlay of videos/text is inventive and adds excitement to our video.
• Improve quality of some videos by sharpening slightly.

Our targets for ourselves:

• Double check all shots cut seamlessly.
• Ensure all text looks uniform and is in time with the song lyrics.
• Change one shot (we know exactly which one) early in the video to a different angle.
• Add in a song title at the start of the video to make it look professional.

BELOW IS OUR DRAFT 2:

What went well:

• The car setting and text effects work well to make the video more exciting and engaging.
• Our clips have quicker cuts and more differentiation/
• Pace of edit is to the beat of the song and perfectly in time.
• The colour of text and flashing clips is effective and match the eyeshadow/makeup on our model.
• The mise en scene and settings/loactions used to film in match up well to our genre.

We need to work on:

• We need to remove glitches and extra text boxes that make the video look messy.
• We need to improve our video quality when exporting it to ensure the audience get the best experience.
• Add in quicker cuts and more dissolve and film cut video transitions to add dimension.
• Use lighting/colour effects to match perfectly to makeup and link all clips and different stages of the video together.

Teacher’s feedback of what to improve:

• Move the model aropund the screen so that she isn’t always in the middle.
• Flip some of the shots hoprizontally.
• Use more video transitions to make cuts seamless.
• Add in close up shots in the car.

My Self Assesment Sheet:

Overall our narrative shoot 2 went very well, we followed our plan and used costume, lighting and setting to make the mise en scene upsetting. This also allowed our actress to present herself in a way that displays desperation under a cloud of tiredness and loss. Our camera skills were used to ensure all shots were in focus and lit well, using a tripod and lighting tools the filming was made to look professional.

BELOW ARE SOME PHOTOS FROM OUR SHOOT:

This shoot was the final narrative shoot, we filmed footage of several different scenes and outfits in attempt to be as prepared as possible in post production editing stages.

POSITIVES OF THE SHOOT:

• The mise en scene made with setting, costume, hair and makeup was effective and inkeeping with the pop genre.
• The shots were steady and used technical features e.g. apperture and ISO to make them seem professional.
• Our lighting equipment and LED lights worked well when filming and portraying the narrative.
• Our actress used good facial expressions and acting techniques to portray our metanarrative.

NEGETIVES OF THE SHOOT:

• The videos of the phone messages coming through were somewhat blurry and out of focus, these might need to be reshot.
• Some of the framing of the shots weren’t angled correctly or were too zoomed out/zoomed in.
• Add in more shots in natural light of different positions on the bed for montages of narrative in the video.

Inserted below is a copy of our risk assessment, it is important to acknowledge the dangers and safety precautions necessary for a professinal film shoot environment. This gives us an insight into the real media world and means we are prepared properly for any situation that may occur during the music video process.

OUR RISK ASSESSMENT:

When preparing for a narrative or performance filming shoot, it is crucial to plan precisely. This allows the post production stages of the editing and polishing to flow easily because all desired angles, mise en sense, storylines and shots have been captured due to the planning. Without planning, shots we wanted were bound to be missed which would lead to a second shoot having to take place; resulting in us looking unprofessional and time would be wasted.

ATTACHED BELOW IS THE SLIDES RELEVANT TO THIS TASK:

Carrying out this planning task allowed us to think clearly about how to make the shoot time effective and benefical to our music video, we managed to capture all the shots listed meaning the result of our video is as successful as possible.

THE PMA FOR NARRATIVE SHOOT 2:

OUR AIMS FOR NARRATIVE SHOOT 2:

Now that we have finished draft 1 of our music video (with the footage from performance shoot 1 and 2); we are able to see that there are several gaps in the storyline and spaces for narrative footage to now be inserted during our music video. We aim to make our storyline and emotions felt throughout the music video more clear as well as linking the entire video together, ending up with seamless cuts. The scenes we intend to create display our star as sad and lost, this detaches her from the usual star image seen of pop stars in real life and music videos, so the fan base and audience can better relate and she becomes ‘like us’.