Music Video Draft 2 (Includes shoot 2 footage )

Here is our draft two of our music video which includes the performance shots as well as some narrative shots.

Overall, I’m reasonably happy with our draft two of our music video. However, I feel that there is an element missing from the video that links it all together so the video is clear and makes sense. In order to try and solve this problem we’re going to seek feedback from our peers and teacher to help see what is missing.

What went well…

  • We were able to include a range of different shots to make our video more engaging.
  • Allowed us to see how we were going to merge our narrative as a story within the music video to make sense with performance shots in between.
  • Developed a sense of possible effects and creative ideas we can include once we are happy with the sequence of the video.

Even better if…

  • There needs to be a clear difference between his emotions at the start of the narrative compared to how he’s feeling at the end of the music video.
  • We could add transitions and effects that fit with the serious and somber theme of the music so the two link together and remove the comedic ones that are used.
  • Ensure all the lip syncing is perfected to create an engagement with the viewer as it is a basic skill in our video.

To focus forward for our next draft we will duplicate this in order to go back if we do not like our new changes. From this draft I have learnt the importance of perfecting the lip syncing first and colour correcting the clips if needed then add the after effects as it looks more professional and refined.

Shoot 2 Reflection (Narrative)

For our narrative shoot, we went to the Guernsey Amalgamated Boxing Club to portray our performers thoughts and feeling of heartbreak. Our shoot went successful as we took many clips and followed our narrative performance sheets that we created the week before in preparation for this shoot. We got a range of different shots and concentrated on achieving those close ups of the performers facial reactions.

If we decide to do another shoot for our music video, we have learnt that we need to:

  • Take many close up reaction shots for each scene as they create an engagement in the video.
  • Ensure we have created the most suitable lighting as it changes the atmosphere of the video completely.
  • Ensure that shots are not over exposed as some clips were not effective because the lighting was not correct.
  • Use frame within a frame to create that sense of loneliness in the video as the performer is feeling very isolated and an outcast.
  • Tracking is key when following the performer during the narrative as it gives the sense that the viewer is in the ring with them.

This clip of Tyler putting in his headphones gives a sense of the relationship between the music and the video which is why I think it’s a successful clip from our sequence. It is also includes movement of him continuing to look in mirror to add power to this clip.

Production Meeting and Risk Assessment for Shoot 3 (Performance)

As a group we weren’t happy with our last two shoots when we looked over the clips. We tried our best to work with the clips we had created but after our first rough draft we were not satisfies and decided that we could look into trying out a male version of the song. As a group we preferred the aura of the male version and found we could create a more successful narrative with this version and explore more with our ideas. Here is our Production Meeting Agenda for our second shoot which includes the shoot location, who our models are, their outfit, and hair and what we are hoping to achieve.

We also completed a risk assessment sheet for this performance shoot. This allowed us to be aware of the potential risk so we can avoid them.

Design Skills 2

From using Premier Pro in the production of our music video it has enabled us to learn various different techniques in order to make our final draft as successful as possible.

We used the curve tool frequently to correct basic colour errors within a lot of our shots. We struggled with some shots being too dark and some being over exposed which is something we didn’t want portrayed in our music video. It however also came in useful to brighten the mise-en-scene of our performers orange t-shirt and we managed to successfully extenuate the colour for the uplifting lyrics towards the end of the song. This allowed us to focus on the correct lighting we wanted as our aim was for some shots to be darker than others to portray his feelings throughout the video and the heartbroken emotion he feels which we wanted to display through possible darkness.

We learnt how to use warp stabilizer to fix our issue on some shots being too shaky which could only be fixed during production. In particularly we used this tool for our close up of the ring which was essential for our video as it was the main symbol for our narrative. The warp stabilizer tool allowed us to quickly stabilize this shaky footage without having to jump to another application or refilm the shot which wouldn’t of been ideal. It enabled us to improve the quality of the video as a whole as we could perfect all our footage.

We used adjustment layers to experiment with various filters that may work successfully to portray the star image and fit with the narrative of our music video. We found that adjustment layers are a great way of adding effects and color grading to large parts of our sequence. However, they become even handier when we wanted to remove effects that we were experimenting with. Since the adjustment layer is a clip on its own, it can be moved, cut, turned off or removed altogether in just a few clicks. The adjustment layers allowed our video to flow and added a sense of continuity to our music video

Overtime, we have used and learnt how to execute many different techniques and effects. Utilizing these skills has been benefiting us positively as we are creating a successful video out of it. We’ve learnt how to use curves to colour correct our clips, use warp stabilizer to quickly stabilize the shaky footage we took, and add adjustment layers to experiment with different filters and effects in multiple areas of our video. These techniques have impacted by allowing us to convey our narrative as well as keeping our audience engaged.

Video Narrative Story/Shot sheets

To help plan and prepare for our shoot we created each of our narrative scenes into a story board. Our aim for our narrative is to create a story of a boy going through heartbreak and the emotional process it includes. We are using a ring to signify their relationship and the devotion they thought they had for each other. This means that we need to include many close ups to show his anguish and movement in the camera to add a sense of energy power to our scenes.

Production Meeting for Shoot 2 (Narrative)

From developing our ideas for our narrative, we have completed our Production Meeting Agenda below which includes decisions about costumes, lighting, make up, props, technical equipment as well as who is responsible. Our aims for the shoot is to successfully portray the anger and depression our actor is feeling through the different reaction close ups in the narrative for our music video.

 

 

Narrative Development

As the next step of our music video we began to develop ideas for the narrative for our music video. When completing this Extended Step Outline sheet it allowed us to focus on the different elements to our narrative including the structure, themes, mis-en-scene, and locations. This allowed us to plan out how we were going to portray our story and the key themes.

To summarize, the narrative focuses on the sorrow and grief the man is feeling throughout and uses boxing as a coping mechanism for this emotion. At the end of the video there is a sense of redemption as he walks away from the inner conflict and stife.

 

Design Skills 1

From our first draft of our music video we successfully filmed clear and effective shots in multiple different locations and created a peformance video from these shots. We used various equipment to film these shots including a tripod, shoulder mount and dolly, which helped us to film a wide range of shots such as tracking shots, close ups and pans. The equipment allowed our shots to remain still and steady as well as clear and in focus.

During our editing stages we have used Adobe Premier Pro to put our music video together. We have used various techniques and effects to create our star image correctly. Premier Pro has been very useful in adding small details and helping to portray the theme of our music video. It allowed us to zoom in on our shots and edit the lip syncing to perfection, which is a skill that is essential for the production of our music video.

To change the position and scale of our shots we used the tools below. This also helped us to keyframe some shots to add some additional movement to keep the video engaging for the audience. Keyframes are points where the start and end of an animation takes place. Keyframes can be used for virtually any attribute in Premiere Pro; zooms, position, audio levels, color filters etc. But we used keyframes for the zoom and position parameters.

 

We used basic colour correction frequently to experiment using multiple colours to not only engage the audience but to portray our star image as she is a vibrant and bright individual which we want to successfully portray. We also used this to correct some shots which were slightly over exposed or when we wanted to extenuate some of the bright colours shown in the shots. We are using this editing technique to encode a the particular set of ideologies for our star, which include showing her as whimsical, flamboyant that creates more entertainment for the audience.

Additionally, when filming we had the idea to reverse and rotate some shots to work with the fast pace of the music and to potray the bubbly energy from the star. One shot that worked particularly well for this idea was our cartwheel clip which we duplicated to created the sense of the star going back on herself. This movement displayed the youthful and active personality from the juvenile star even when she is not lip syncing.

For inspiration for possible effects we may use in our music video we decided to do some research by watching videos. Here’s a few we decided to look at:

 

Overall, these videos allowed us to think of possible effects we will want to add in the future of our production of our music video. As well as the basic skills and techniques we have discovered has allowed us to successfully create our first rough draft of our music video.

Music Video Draft 1 – Rough Cut

Here is our first rough draft of our music video. From this first draft we learnt the importance of filming a range of different shots from various angles and the effects they give within the video. It has also allowed us to see what areas we need to film more of and let us play with different transitions and edits.

As a group we have worked well together to complete our first rough draft. We have recognized each other’s strengths and weakness in order to work effectively together as a group.

Overall, our video so far has some strong points and some weak. As a group, while editing, we’ve had to keep in mind we still have two more shoots to complete and that we can take time to experiment with different techniques to make the video as successful as possible. We’ve taken time to achieve accurate lip syncing throughout the video and seen which clips look best in certain areas of the song. Within this first rough cut the whole music video is performance but it allowed us as to plan out points where we would like to include narrative clips and play with the positions and effects. So far we have successfully completed our first rough draft and has helped us see what type of shots we will need in further shoots.

To improve our music video we will need to:

  • Include many narrative clips to add a story to the music video which will make the video interesting and intriguing.
  • Ensure we take many various shots from different angles during the next shoots.
  • Experiment with more interesting effects and research inspiration to make the video engaging
  • Include many bright colours within our mis-en-scene
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