Representation of a Vampire

Let’s do some close analysis of select sequences from our two set texts. You will be allocated two sequences, one from each film. Your job is to explore the representation of the vampire monsters at these moments in the film.

Firstly, do a close micro analysis of:

  • Editing
  • Sound
  • Cinematography
  • Mise-en-scene

Then consider, how these micro features communicate meaning about the nature of these monsters, their representation.

You will be responsible for putting together two slides, one for each film, which compares the scenes and considers what social fears seem to be reflected by Eli & Nosferatu.

Here are the scenes. The scenes your group have been allocated are next to the scene. Please complete two slides in this shared (editable) slideshow:

Monsters

Some monsters to thrill, scare and delight you.

Why do we like to scare ourselves?

A key features of any horror film is the monster. The monster is said to represent the fears, anxieties and concerns of society at that time. That means that the monster and the theme of the film are inextricably linked and intertwined with each other.

To start developing your understanding we are going to look at some classic horror monsters and consider their representation and beneath that what social fear they stand for.

TASK

In pairs, do some research and develop a monster profile for your allocated monster.

Mr Gregson’s Monsters

Miss Hales’ Monsters

Horror Narrative

The next macro study to apply to a film is to consider the narrative as part of the genre.

Remember the basics of narrative?

What are the typical features of a horror narrative?

Consider two narratives as you complete this document:

  • A fairy story you know well. (Has this has been done previously?)
  • A horror story or film you know well

Upload your narrative analysis of the horror film to your reflective journal along with a trailer for the film you studied.

A study of the horror genre

A study of most films will include consideration of genre.

Here is a slideshow to remind you about how to study genre:

So genre is a comparative study:

  1. In what ways does a given film follow the generic conventions of horror
  2. how is it different and…
  3. …can we account for those differences.
Task for snow days

Watch this short horror film from Bloody Cuts: (In the dark if you can…)

Make a copy of this document.

On page two of the document identify features of this film which you think are  conventional of the horror genre. Create a new page in your reflective journal called Horror. Post the film and your analysis.

This will serve as a useful blueprint and structure (Altman) against which to test our two films, Nosferatu and Let The Right One In. We will ask ourselves the questions:

  • In what ways do our films follow the generic conventions of horror
  • how are they different and…
  • …can we account for those differences.

Remember you should also have watched the two films on the previous blog post!

Comparative Study Project

In year 13 you have to conduct an independent comparative study of two films.

The outcome for this unit will be a video essay in the style of Lessons from the Screenplay, in which you compare two films from different times and/or places. This video essay will be sent for external assessment and is worth 20%.

There must be an element of independent research in this project.

All sources cited must be referenced using the Harvard system of referencing.

The Film Focus

This is the academic approach or framework which you use to study the two films, you can choose from the following:

  1. Film Movements
  2. Film Genre & Film Style (Sci Fi, Westerns, Crime, Film Noir, Musicals…)
  3. Film Theory (Auteur, Feminism, Marxist, Formalist, Semiotics…)

After February 1/2 term we are going to do a dry run, which will serve two purposes:

  1. Prepare you for this year 13 unit
  2. Act as research into your first full production (a horror sequence)

The Project Details:

Film Focus: German Expressionism or Vampire Horror
Film 1) Nosferatu (1922) Mernau

Film 2) Let The Right One In (2008) Anderson

Possible areas of study:
  1. How and with what effect are specific film elements of German expressionism used
    within a contemporary horror film?
  2. From Nosferatu to Eli. How has the representation of the vampire changed to suit contemporary values, attitudes and beliefs?

Please watch Let the Right One In over half term and also dip into Nosferatu, especially the last 20-25 minutes.


If you would like to extend your understanding of German Expressionist film movement you should also watch:

The Cabinet of Dr Calagari (1920) Weine

Directing 101

The director is best though of as the conductor of the film orchestra.

He or she will direct all the heads of department in order to realise her or his vision, which is inspired by the screenplay.

The director must develop creative collaborations with key personnel. The…

  • Production Designer (Costume, Props, Set, Hair & Make-Up)
  • Cinematographer
  • Editor
  • Sound effects and Foley
  • Music composers
  • Actors

In this (Stolen) task the director will be responsible for:

Pre-Production
  • Annotating the Screenplay
  • Agreeing Shot list & Storyboard
  • Collaborating on character design
Production (Filming)
  • Discussing the shot set up with the cinematographer
  • Blocking the action
  • Giving actors direction on body language and delivery of their lines.
    • Remember to think of their motivation (wants and needs)
      • Where these are in conflict we have drama!
Post Production
  • Agreeing a sound spotting list with sound designer, feeding back on drafts & signing off final draft.
  • Agreeing an instrumentation and tone with music designer (Temp Score), feeding back a& signing off final score.
  • Collaborating with editor on final cut and agreeing completion.
Independent Study P1

Watch this video from 02.45 to the end….so basically all of it!

How does blocking change a scene? If you were director how would you block the movement of the actors / camera?

Here is a Masterclass in Blocking

Giving notes to actors

Screenwriting 101

Lessons from the Screenplay

Lessons learnt…
  1. Action lines (in the script) give the scene a sense of atmosphere. They also give actors and directors guidance about their characters and the tone of the scene.
  2. The last line is the point of the scene.
    • Funnel the scene down to its final point of crisis or tension.
  3. Subplot characters echo and foreshadow the narrative journey of the central protagonist.
‘STOLEN’

Write a short screenplay for a scene entitled ‘Stolen’.

  • Your screenplay should be formatted using this preformated document.
  • …should be no more than 1 page.
  • …should have a clear climax.
    • The final line should define the scene.
  • It should contain a major and supporting (subplot) character.
  • It should be achievable to film in 8-12 shots (some of which can (and should be) repeated)).
Development & Extension

The 5 act structure and the self contained structure of each act.

  • Linking narrative with screenplay writing

Aside

Great Student Filming (Use of Lens)

A really effective use of lenses in this work.

Remember everything you learn in practice you should look for in professional film and reflect…

  1. Think, what impact was the film maker able to communicate through use of this technique?
  2. Consider that everything you start to notice in professional work, whether that be: cinematography, sound design, screenwriting, editing or production design, is something you could be experimenting with in your own film making!
  3. Finally, always reflect on what you have learnt when filming and also, how can you do it better?
    • What kit do you need?
    • What techniques do you need to perfect?
    • How should you do it differently next time?

Montage Filming and Editing

 Uses of a montage in film & TV

  1. To create a sense of place and/or events without giving any narrative information away. This is often done in title sequences to capture the mood of the film without giving away spoilers.

Here is short film, which is an extended montage of a place.

2. To compress time to show a rapid development of a character or event, which is important in the narrative development

Here are examples from the Rocky franchise:

Task

Create a montage which compresses time and communicates a sense of atmosphere. For example:

  • The tedious lesson
  • A frantic school day
  • Writing an difficult essay
  • Another long event (+1 hour) that can be filmed in school
The Rules
  • The montage should last 30-40 seconds.
  • It should contain at least 12 different (beautifully composed shots) some of which may be repeated in the edit.
  • The montage should communicate a clear meaning (what’s going on) and clear atmosphere (tone or feel).
  • There should be a clear sense of time passing and have a clear beginning and end, which fades out to black (to make it seem like more time has passed).
Creative Partnership

This week you are going to be working in pairs and will have specific roles in production and post production:

  • cutting-room-editing-film_medStoryboard Artist
  • Director
  • Cinematographer
  • Editor
  • Sound Designer / Mixer

To complete this tasks effectively you’re going to have to think carefully about how the edit is going to look in the end and ensure that you film all the shots you need. This means planning your sequence. Do do this we are going to use a screenwriting tool called…

The Storyboard

Here is a storyboard template that is similar layout to the professional one above.

Here is a document which explains how to design a storyboard.

You storyboard should be scanned / photographed and uploaded to your Reflective Journal under the screenwriting section.

You should also reflect on it’s usefulness as a pre-production planning / visualisation tool.

Production & Responsibilities

You will be acting for another pair of students and so will spend one lesson acting and the other filming and directing.

When you are the cinematographer you should ensure that each shot is well composed. Also you should ensure the following:

  • All shots are well lit
  • All shots are in focus
  • You get a variety of shot types.

If you are the director, you should be:

  • Working with the cinematographer to block the scenes.
  • Be clear with the emotion that you want you actors to be expressing.
  • Make sure that you work through the storyboard efficiently and in time.
  • Be an encouraging and positive presence on the shoot.

Post Production

If you are editor, you will be responsible for:

  • Compiling the basic montage.
  • Applying filters and transitions to the edit which contribute to the overall tone
  • Coordinating with the sound designer to apply their sound to the sequence

If you are the sound designer you are responsible for:

  • Completing a spotting session with the editor and making a list of sound effects that you want.
  • Sourcing effects that adds meaning / impact to the scene
  • Inserting your sounds into the edit

Reflective Journal

  • What have you learnt about filming and editing for montage
  • What went well
  • Even better if